by Dave Glasser | Oct 11, 2013 | Clients, David Glasser, News, Technique
By David Glasser, Airshow Founder and Chief Engineer Any fan of the Grateful Dead would be thrilled – and a little nervous – if asked to remaster some of the best-known studio recordings of the past 45 years. Workingman’s Dead was my first real (and lasting)...
by Dave Glasser | Oct 3, 2013 | Anna Frick, Clients, David Glasser, News, Technique, Technology
By David Glasser, Airshow Founder and Chief Engineer Airshow received a call from Dean Blackwood of Revenant Records in January, 2013. We last worked with Revenant over ten years ago on the Grammy-winning “Screamin’ and Hollerin’ the Blues: The...
by Dave Glasser | Jul 25, 2013 | David Glasser, News, Technique, Technology
On August 1st moviegoers will be able to see a film that Grateful Dead fans have been eagerly awaiting for decades. Though it’s long-circulated as a bootleg, Sunshine Daydream is finally getting the official release it deserves. The film is a documentary of a...
by Ann Blonston | Jun 4, 2013 | Airshow HQ, News
Many recordings are released these days in several formats – CD, downloads in multiple resolutions and file formats, LP’s, and streaming. While the CD master at 16-bit/44.1 kHz resolution remains the most useful master format, one master does not fit all! With the...
by Airshow Mastering | Jun 4, 2013 | Airshow HQ, News
A listening session with your mastering engineer before mastering is a critical step in finishing your project. You can address potential sonic concerns and make sure you and your engineer are on the same creative wavelength. You are welcome to attend your listening...
